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<B>"Through the Looking Glass" (EOS 5D, 85 f1.8 shot at f5)</B></CENTER>
I'd really consider the 85 f1.8. It was probably the number one lens used by glamour and fashion photographers who were shooting with Canon back in the film days (you could have welded an 85 f1.8 to my F1n or my EOS 1n bodies and I would have been perfectly happy). The 85 f1.2L is nice, I've shot with it, not sure you can see the difference in print, but it is very heavy and for that reason the auto focus is a bit slower.
Also, the 70-200 f2.8L zoom is an amazing lens. At the 135 focal length it is rated as high as the 135 prime (hard to imagine, but my own results with this lens bare that out).
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<B>"Love Story" (EOS 10D, 70-200 F2.8L shot at 135mm, f3.5)</B></CENTER>
For Andy, there may be a 5Dn on the way, but more likely Canon is just adjusting the price stucture on the 5D because of the introduction of the Nikon D200. We originally expected the 5D to be introduced at the $2500 price point but Canon had no competion when it was released and so bumped the price. This gets the price down to the $2500 range while protecting the margins for the retailers while the market sorts it's way out. There will undoubtedly be a new 1 series camera out in the fall, and it will be a beast (22 MP), but I've heard nothing about a 5D replacement. But really, as a practical mater what is gained over 13 megapixels on a full frame sensor other than eating up space on your hard drive?
Fish
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John Fisher
Couture Model Management
900 West Avenue, Suite 423
Miami Beach, Florida 33139
305 534-9322
http://www.johnfisher.com
http://www.couturemiami.com