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here's 3 more from my shoot with Erin. your comments and criticisms are most appreciated.
I think this one is okay but has a certain portrait feel to it.
I love the bare shoulder head shot. How'd I do with this one?
This one was for her low rider club. It was also my first chance to shoot a vehicle. Here's a question for the experienced hot chick standing next to a hot car photographers out there. What's the first thing I need to know about using a model and a vehicle in the same shot?
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What's the first thing I need to know about using a model and a vehicle in the same shot?
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On a serious note, I worked with a guy who shoots for a number of car mags (hot rod, etc) and is editor of one of them. One thing I noticed was that the camera rarely if ever was at a higher level than about even with the hoodline of the vehicle. The other was that the camera was almost always rotated to a pretty extreme angle. He said that it gave the car motion.
Here's one I took of my friend Duane's Viper and another friend in his Miata.
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One thing I noticed was that the camera rarely if ever was at a higher level than about even with the hoodline of the vehicle. The other was that the camera was almost always rotated to a pretty extreme angle
Mike,
You have a beautiful model and you took some nice shots of her. But I would like to see you get out of the wooded area and go to some cool places that have more then a state-park-senior-picture feel to it. Find an alley, cool downtown location, bed and breakfast, etc to shoot. As a model, when I started, I was taken to one too many state parks and now I think I have a tree-phobia. I feel you have to have one kick a$$ theme to pull off that location.
My first time shooting a hot car and a hot model.
Watch out for highly reflective surfaces messinjg your meter readings and throwing an unwanted relection on the babe!
For some reason image ready makes my save for web image look flat??
This image had a reflection on her leg from the fender of the car that was tough to get rid of in post production. [img]/ubbthreads/images/graemlins/confused.gif[/img]
Comments?? Same shots, different model. I keep seeing the same shots, the same poses, the same the same the same.... Step outside the box a little. All time you have spent at the studio I hope you have learned something...Lets see it. Show us something new. You are still shooting what you see... Take Robert Sanders advice and see what you are shooting.
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Mike,
You have a beautiful model and you took some nice shots of her. But I would like to see you get out of the wooded area and go to some cool places that have more then a state-park-senior-picture feel to it. Find an alley, cool downtown location, bed and breakfast, etc to shoot. As a model, when I started, I was taken to one too many state parks and now I think I have a tree-phobia. I feel you have to have one kick a$$ theme to pull off that location.
Just my opinion.
kellyg
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Kelly thanks for the comments, I have been looking for a nice industrial location, but haven't found what I'm looking for yet, and I have some shots in a back alley kind of thing but I wasn't too happy with the outcome, in fact JT critiqued a few of those shots at supershoots, and he too wasn't too impressed. I will continue to push my shutter button however. I may move at a snails pace, but eventually even the snail arrives at his destination. Unless he gets stepped on or eaten. [img]/ubbthreads/images/graemlins/cool.gif[/img]